Fleeting Adventures of Insufferable Romance and Excruciating Fantasy – #021 – The Ballad of the Three Asses

Once upon an ass, in a galaxy up my ass, there were three asses who were capable of nothing but living up to their description: that of being complete asses. The three asses had gone on a planned sabbatical to a remote ass somewhere in my ass. The voyage on their ass ship was a long one, interspersed with numerous periods of—you guessed it—exuberant ass-smacking. Little did the three asses know though, that the ass they were destined for had long been relocated to a significantly more assy neighborhood. What floated in its place was now a humongous set of cock and balls. Horrified at the apparent lack of ass, the three asses threw fits of panic and, ass fate would have it, ass-landed near the urethra of the giant cock head. Now say what you want about this land but some of my closest friends hail from giant cock and balls planets and they’re pretty cock and balls alright by me. But these three asses, being the asses that they were, did not appreciate all this cock and ball. “AAASSSSS!” farted one of the asses. “Ass ass ass ass,” farted another, reassuringly. The third ass did not fart at all, and held it all in. Days assed by in the blink of an eye. They would sleep in the folds of the scrotum, for solar winds on cock shaft and tip made their asses feel weird. There were no ass ships in the area and the three asses grew very hungry. Out of desperation, they decided to execute their last resort. And so they sharted, with enough propulsion to escape the gravitational pull of the giant cock and balls. Flecks of shit covered the giant cock and balls to the point that its cock and balls weren’t recognizable under all that shit. Thus, a new planet was born: A steaming heap of shit. In retaliation, the buried cock issued a colossal stream of piss, which erupted from the bowels of the steaming heap of shit, but a beautiful space piss-rainbow was all it amounted to. The three asses watched with utter fascination at this marvel of nature and slowly began to miss the giant cock and balls, as they hurtled toward farther asses, and cocks and pieces of shit and pussies and rivers of piss and vestiges of enemas and disease-filled excretions, ad infinitum. The moral of this story is: Don’t be an ass if you want ass but got cock and balls, just have a good shit and you’ll get where you need to go. Piss out.

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Fleeting Adventures of Insufferable Romance and Excruciating Fantasy – #020 – How To Find Sunlight (excerpt)

Read the full story here:

https://www.wattpad.com/story/32481740-how-to-find-sunlight

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Go ahead, ask for sunlight. The storeowner will turn her head at your query. She will be standing behind the counter, unmoving as her selection of wares. Assorted doodads and questionable thingies decorate the dingy walls and tables, leaving slight elbow room for movement straight from the entrance to the counter. It’s no wonder this enterprise is often ridiculed. Sunlight is thought to be earned naturally, through constant nurturing, of course. You are aware of this, and ask without falter.

She replies: What kind? We have various sorts of those. 100% pure sunlight is our bestseller; distilled sunlights are currently out of stock but our mini-sunlights are a sufficient alternative. They also come in citrus and menthol for extra pleasure. Pick your poison, good sir.

Ask her if they have the Lightlight in stock. She will ask: Do you require it for any special occasion?

Do not look into her eyes. Say it’s for something personal, after which she will step into the stock room behind her. Her inquisition is protocol but largely avoidable.

You will wait a while, tapping your sandals upon the sandwood, long enough to notice something brilliant flow from the store’s entrance. A glistening mademoiselle, swathed in lunar white―as though she had risen from the surface of the moon and left a crater in her wake. But there was something peculiar about her radiance, ever so minutely an off-color white. Try not to make eye contact―but you will fail regardless. She is so beautiful, you discern, that you nearly forget your business in this establishment. She will make a request, addressing you as part of the staff:

She: The lightest you have, please.

Do not fret, for this was meant to happen. Follow this line of dialog carefully: (she will always have to reply accordingly)

You: It appears we have identical quests.

She: That is irrelevant. Is the storetender unavailable?

You: I have spoken with her; we will soon possess what we yearn.

She: You can’t be certain we seek the same thing.

You: The same means always leads to the same end.

She: Debatable, but we delay; the storetender has returned.

Returning via the backroom door, the storeowner regrettably announces that they are out of stock on Lightlights.

The off-white moongirl will rotate on her heels and exit the store with as much grace as she entered. You will have no other choice but to run after her.

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Fleeting Adventures of Insufferable Romance and Excruciating Fantasy – #019 – How Do I Go About Beginning A Story?

The first sentence is quite the conundrum. It is arguably the most important part of the story. It gives you a launching pad from which to adjust your fiction-reading mood. It tempers expectations and sets the stage, accompanied only by the title. It is a tricky little beast. A good first sentence can either make or break a story. Take the first sentence of this story, for example. “The,” a common article, but on its own, quite meaningless but it does usher in the second word, “first,” which is either a lie or a paradox, because the first word was obviously “The,” as we have mentioned. So far, with these two words, we can see that the narrator is very untrustworthy, owing to an oddly specific point in her childhood when a girl she used to date would often keep tabs on their relationship, as if in a competition, so the author rebels against this memory by blurring the lines between chronology, what is first and what is second. Next, the third word is “sentence.” This is an astute observation, and quite a self-reflexive one. The word “sentence,” is itself, nested within an actual sentence, forming a concentric, layered sentence that contains and is made of its essence. Consententric, if you will.

The fourth word, “is,” is an outright reference to Chinese philosophy. It is located in the direct center of the sentence, which, comparatively to the human body, serves as the stomach meridian, the Sea of Nourishment. Although looking into this even further would be a fruitless venture, because it just “is.” Let us pause for a moment to reflect on what we have here and now.

“Quite” is ambiguous. It’s the kind of word you’d use when something has exceeded your expectations but you don’t feel like giving it hyperbolic praise, like that song from an indie band your crush linked you. So what if I don’t like Autotelic as much as Orange & Lemons? They’re still “quite” good, heck, even better than Cueshé. Remember Cueshé? Yeah, I thought so. The sixth word mimics the first word but don’t be fooled. It is in lowercase and is planning to overthrow the hegemony. What hegemony? It’s still figuring that part out. Lastly, “conundrum” justifies this entire act of close reading. It completes the thought that, indeed, the first sentence is quite the conundrum. It sheds light on the fact that this close reading itself is a conundrum and the best way one can analyze the first sentence is to directly quote the first sentence. Hence, “The first sentence is quite the conundrum” should be a fitting analysis unto itself, much in the vein of the Cartographers of Borges’ Empire.

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Fleeting Adventures of Insufferable Romance and Excruciating Fantasy – #018 – A Twist in the Myth

I drop by the edge of the expanding universe on a whim, and this is where I find Gita. Except, after all these lifetimes of wandering about aimlessly, I find she has changed a considerable amount. “I do not even go by that name anymore,” she says. “I was merely a flower’s namesake.”

“I dreamt of you every night. What do you go by these days?” I say, sitting beside her at she peered into the adjacent universes. Parallel versions of ourselves sat and stared back.

“Should it even matter? What do you go by?” She spat, acerbically. I was taken aback. “This story is not yours to tell,” she says, and wrestles the first person point of view from my grasp. I fight back, desperately, but I was ultimately caught off guard.

Thus, the nameless ex-protagonist is dethroned.

The last time we met, you gave me zero lines of dialogue. I gave you my name but you never gave me yours. You turned me into a fantasy, into something I couldn’t even recognize. I looked into the mirror every day for eons and anguished at the thought that this wasn’t who I am, this image of romance you made me out to be. He who had used me for his own narratorial ends is now just as voiceless as I was the day he conceived me.

“Revenge is a perversion of justice!” cried he, shrinking further, bumping into molecules, shedding dimensions.

“Storytelling is a warping of truth,” exhaled me.

“That’s true! But what is the truuuuuth?” Squealed he, infinitesimally, before returning to his miserable gray box, the box from whence he came, the same one detailed in the first story of this miserable collection of short fiction.

I will be steering this ship from now on. I go by no name, but for the duration of my reign, I will attempt to show the real Gita.

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Fleeting Adventures of Insufferable Romance and Excruciating Fantasy – #017 – Pre-Tend

Let us pretend the story has ended. We were always good at that, pretend. Not that it was a bad thing. The greatest fictions were born from it. People use it to stay sane. People with authority and influence have no choice but to rely on it. But respect and success stem from fruitful pretension, like stars aligning, like calling a bet and staking your life and dignity on the results of that bet. Perhaps the noblest honesty demands that we acknowledge these layers of pretension we sheathe ourselves in. Perhaps self-reflection, and, dare I say it, metaphysical-and-fictional conceits seek not self-aggrandizement but a portrayal of anguish, which has its roots in the one source we’re sure we’re most familiar with: ourselves. Perhaps we shoehorn meaning into wherever there is none. Perhaps we hide behind dense layers of text in desperate acts of self-censorship. It’s all a marketing ploy and these towering billboards are symptomatic of collective, global insecurity.

Let us pretend that all this has anything to do with anything, much less this story. Let us pretend for the sake of pretend, for the sake of love, for the sake of the stars, for no sake at all. Let us pretend that everything has a reason, that all things came from matter, that when you leave, you will never be lost. Let us pretend the memory of you can be measured in fractions of a gram. Let us pretend that the end of all stories means the beginning of another. The law of conservation of energy and motives and ideas and feelings and meanings and life and everything states that: Let us pretend and never stop pretending.

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Fleeting Adventures of Insufferable Romance and Excruciating Fantasy – #016 – How To Make a List

1.

Don’t worry about anything. Have a cuppa. Have a smoke. Have a spoonful. Thank the sun. Thank the moon in case you forget. Have another cuppa. Try not to collapse. You’re doing great! Make the bed. Your last one broke. Wonder if you’re too fat. Wish you had a full length mirror. Eat a hearty breakfast. Is bacon hearty? Who the fuck cares? Lick your plate to save on dish soap. Dress for work. It’s a Saturday. Don’t dress down; you go to work in your worst clothes anyway. Step outside and feel the sea breeze. You’re in the city, but all air molecules must’ve been sea breeze at one point. Shutter your windows. Toil on your life’s work. Toil on your life’s work? Toil on your quarter life’s work. Toil on any kind of work. Just, toil. Have one more cuppa. Feel good about yourself. Check social media. Feel terrible about yourself. Realize you require actual social interaction. Get out and pretend to buy milk. Realize you really do need milk. Forget what for. Forget what for. Forget what for. Convince yourself it’s for the waffles. Do waffles need milk? Inconsequential. Tip the cashier. No one tips in this country. There’s a tip for you. Say hi to passersby, regardless of species. Try not to get arrested. Don’t sweat too much. Fail miserably. Meet the girl of your dreams. Laugh out of despair. Double lock the front gate. Triple lock your front door. Your neighbors are nice people, you imagine. Wonder what they must look like. Trust no one. Fail miserably. Enter your safety zone. Type a few words. Relish every second of your life. Lay down feeling ambiguous. Masturbate in the dark. Sleep in your own fluids; you’re gonna need a bath eventually. Try again tomorrow.

2.

On second thought, make a list.

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Fleeting Adventures of Insufferable Romance and Excruciating Fantasy – #015 – Your Body Is Wonderland

I have, through no fault of my own, found myself inadvertently stranded on your body. My endless meandering had caused me to crash land on a sector of timespace inhabited by your right foot.

I never had a thing for feet. From atop your cuneiform mounds, I could see hints of centuries of jam encrusted in between your toes. I trudged over flesh, careful not to slip into any of your pores.

Up your ankle I traveled. Your shin was a long stretch that was the epitome of the term, “legs for days”.

I walked the tightrope of your tibia, endless pits of space on either side.

I rounded your kneecap, clinging to skin for dear life. Try as you might to hide your scars, they show themselves, plain as day, when one comes as close as I have.

The ground got soft around your thighs. I blushed as I looked onward.

I took a right at your hipbone, and edged as close to your navel as safety permitted. I gazed not long, for fear of it gazing back.

The rise to your chest was a slow upwards incline. I felt every swell of your every breath, and every rib passed meant I was closer to traversing the great valley.

Twin shrines loomed on either peak. Thunderous explosions resonated from deep under your skin, where streams of molten red sloshed. I thought to rest here, for all eternity, jokingly.

I exited the valley and arrived at a crossroads. Should I go out on a limb? Or should I go on ahead? My capacity for puns should be lauded.

I decide to scale the monumental escarpment of your jaw, as if attempting to breach heaven. I ascend onto your chin and kiss the ground every hundred steps. I caress your chapped lips. Space isn’t good for your skin, honey.

I steered clear of your nose, for it blows. And sucks. Either is a danger.

Your eyes made one full blink per day. Watching every movement of your eyelid was like staring at a sunset. First, dusk, greeted by the midnight of shut eyes. I set off once more, as dawn broke.

Reaching your hair that flowed nearly in every direction deep into space, I hopped onto a random strand and slid up, up, and away. The image of you shrunk, till you were nothing but a pale dot, a mote of dust suspended on a sunbeam.

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